"We met with Marco Belluzzi for the film and it was a great collaboration. Inside the film there was the need to represent the dichotomy between two environments: the world of the powerful bourgeoisie and that of the precarious young protagonists [...] Casa Max is an uninhabited house that we have partially gutted and rebuilt and that manages to tell our character and be a non-trivial, not obvious environment. Obliged by some functional characteristics to the shooting, in an environment that did not exist, a very strong scenographic and narrative intuition was necessary"